The Player Piano

When I was a little girl, my grandparents had a player piano in the basement of their split foyer on Epperson Street. We were far too small to run the foot pump, and Grandma was very particular about putting the rolls in herself, so the whole experience took on a mystique. I don’t remember a thing about the music itself—only that I thought watching the keys move on their own was the coolest thing ever.

When Grandma and Grandpa moved away, first to Kansas City and then to Detroit, the player piano departed my consciousness for twenty-five years. They must have had it, but I don’t remember seeing it again. After Grandpa died, Grandma moved back to the St. Louis area, but the piano was beyond salvation. She found a used one and had it fixed and moved into her condo.

I wrote music at that piano during the weeks I stayed with Grandma before Alex’s birth. Christian has practiced on it during three C-section stays. And yet for some reason, the fact that it’s a player just wasn’t in our consciousness until this weekend, when Grandma opened it up to entertain her great grandchildren. She sat on the bench with Alex at her side and Julianna on her lap and stuck in “Frosty the Snowman.” And suddenly this boisterous music boomed through the house.

By the end of the weekend, Alex knew everything there was to know about that player piano. He was running the foot pedals, flipping the lever to rewind the roll, and taking the rolls out himself. All we had to do was put the roll in and adjust the tempo.

Seven years of studying music gave me a whole new appreciation for what I was hearing. The rolls were recorded by one man, but they must have been done in two parts, because it was definitely a four-hand arrangement. So instead of sounding like a piano playing a song, it has the texture of an orchestra: bass, accompaniment, melody and obbligato. It’s a lot richer. We were listening to “Chim Chiminee,” and while the song goes on in the lower two thirds of the piano, the right hand takes off on this blisteringly fast set of cascading arpeggios. In the middle of “Take Me Out To the Ballgame” you get these ascending rolls—Chopin superimposed on a distinctly un-classical song. It was delightfully sophisticated. To the untrained ear it just sounds like good music, but unlike 95% of popular music now, the music was arranged to exercise the mind, not just be “ear candy.”

Don’t get me wrong, I like popular music. But it’s very rare to find pop music—country, rock, whatever—that delights the trained ear. Enjoyment lies in the words: word plays, puns, unexpected rhymes, beautiful poetry. But it was wonderful to listen to popular music that wakes up my musical brain.

It also occurred to me that without my children, I would never have had this experience. Adults don’t play. We have abig “stupid” filter on our brains, which prevents us from doing anything that makes us feel self-conscious. That filter frequently gets turned off when we’re with our kids—so we’ll spin a polka around the beer garden at Grant’s Farm, as long as we’re dancing with Julianna. But that filter tends to act upon things that aren’t embarrassing, too—things we classify as “waste of time.” That’s the only explanation I can come up with for ignoring the player piano for twenty years.

And of course, it wasn’t a waste of time at all. We had an unforgettable family experience, something special by which the kids will remember their great-Grandma…and that’s the best part of all.